What do You Think?

I enjoy a good old controversy, and maybe there’s one about to generate.

Check out this long-awaited review of BREATH OF AFRICA in an e-zine of great repute and thousands of followers – Travel News. (You may have to register in order to read it).

Here’s a taster:

“The entire book will satisfy neither Kenyans, nor Colonial survivors if they read it: they both surely are the only authentic judges.”

Julia Laurence doesn’t mince words, and she says what she thinks. Thankyou, Julia. I appreciate that many will hold your views. But I know that others think differently.

What do you think?

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Pause for Thought

Ooooops nearly missed it! (The article about me in the on-line edition of our local newspaper, the Eastbourne Herald.

Here’s a taster:

“I have heard it said that we all have a book inside us, just waiting to get out. And a colleague at Eastbourne’s own charity ‘People Matter’ has proved that to be the case.

 

A few weeks ago, Jane Bwye published her first novel ‘Breath of Africa’….

I found myself envying Jane, as I have often thought that I should put pen to paper in this way, but so far have always given into procrastination!

Just in case I ever get around to it, I wanted some ideas from her.

What prompted you to write the book?:

“Robert Ruark’s Uhuru and Nicholas Monsarrat’s Tribe books made a deep impression on me as a young woman, although I could only read them once.

I believed I lived in a beautiful, ideal world. Surely they’d got it wrong? Africa couldn’t possibly be as violently ugly as they described it. Why was everybody so negative about it? …..”

There’s lots more in the Eastbourne Herald!

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An Ode to Africa

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Does this make you yearn to go back there – or resolve to visit this magical place at least once in your life time?
There’s something about Africa – especially Africa south of the Sahara – which gets to you. You only have to live there once, for a short time, to get the bug. 
 

Perhaps it’s the extraordinary light, translucent, clear, pristine, that lies over the land especially in the early mornings and when the sun sets. Wonderful delicate colours in the highlands over the equator which wash the sky. Or the warm orange glow over coastal beaches and plains, heavy with languid humidity….

To read on, please check HERE, where Maggie Secara, author of, The Kings Raven, an evocative faery tale, has hosted me on her blog this week.

You will find many more descriptions in the novel BREATH OF AFRICA, which is attracting attention around the world.

I’m on a high for having survived my very first “Reading” last night, to a local author’s group, the New Eastbourne Writers. You could have heard a pin drop as I read about the budding of romance between Caroline and Brian against the backdrop of Ngorongoro Crater, in Tanzania. I’ll say no more…

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From One Horse Lover to Another

I am privileged to feature Teresa Cutler-Broyles on my blog this week. Her thoroughly enjoyable book One Eyed Jack, published by Crooked Cat, took me back to my horse-mad youth with its Pony Club gymkhanas, and rainy days curling up in a corner with a book to take me into fantasy worlds filled with these amazing noble creatures.

You can read my review of One Eyed Jack HERE.

One eyed jack

(Yes, Teresa, I know it’s not part of the interview, but I’ve enjoyed English Thoroughbreds, Arabians, Somali ponies,  Welsh and Shetland ponies, and every imaginable cross between them all. I’ve even had the privilege of briefly sharing a retired Lipizzaner, and an Irish Sports Horse to ride over the hills and far away on the South Downs). Bits of my horse-mad years have rubbed off into the initial chapters of my book,  Breath of Africa!

But down to the business of getting to know you better – 

Tell us a bit about yourself and what led you to write One Eyed Jack.

That’s a long story… the short version is that I’d had horses since I was 12 years old – quarter horses, Morgans, Arabs – and did everything you can think of on them: trail riding, jumping, showing in trail classes and equitation classes, and riding for pleasure across the deserts where I lived in Arizona. When I was 30 I started working on a horse ranch in Colorado named Bear Basin Ranch (http://www.bearbasinranch.com/); on this ranch we took clients from around the world up into the Sangre de Cristo mountains on 3-5-day pack trips.  During my first year there, one of our horses lost an eye in an accident and I helped the vet when he had to take it out. I later bought the horse from the ranch and was thrilled when I found out he was capable of everything every other horse I’d owned, even jumping small jumps. I wanted to write a story that got that message out there in the world, and was entertaining at the same time.

How much of an effort was it?

It was relatively easy. As a horse-lover and owner for so many years, I knew what it was like to be a young girl longing for a horse, as well as what it was like to be a trainer of horses as an adult. The story flowed from my experiences; even though it was fiction – my one-eyed horse was a quarter horse whereas Lauren’s is a thoroughbred, and my mother never had the same accident on horses – almost everything Lauren does with Jack, I did at some point with my horses.

While reading your book, I learned something of the way horses are trained in the US. Did you set out to educate the reader in planning and patience through Lauren’s experiences?

I did. I wanted to both show how easy a one-eyed horse can adapt, and how easily a person could train such a horse, with dedication and patience. I hope I made it entertaining, as well as educational! Lauren makes a lot of mistakes – and she has fun, all while learning and making new friends.

Was the book in any way autobiographical?

This is kind of answered above… in many ways it is autobiographical… there are pieces and characteristics of many horses I’ve had all put together in Jack; even his name is the name of a huge sorrel quarter horse I had later in my life. The next novel, Mountain Jack, will be quite autobiographical as well – in it, Lauren will take Jack to a horse ranch in Colorado and he will have to learn all new skills to work with other horses, and with new and inexperienced riders. Some of Lauren and Jack’s adventures will be similar to the adventures I had on a ranch just like the one she will be working on.

Describe the direction you will take for any sequels.

The third in the series, Texas Jack, will be set on a cattle, sheep, and goat ranch in West Texas. Jack will be learning how to do cutting, chasing down renegade sheep, and what to do in a roundup. This is also autobiographical; I worked on such a ranch many years ago as the only girl/woman among lots of cowboys and found it to be a rich and rewarding experience.

Tell us about any other novels you have written.

Shadows of a Gunman is a western that will be coming out, hopefully, in early 2014. It’s a murder mystery set in the late 1800s Wild American West, and starts out with a lonely cowboy awakening one morning with gaps in his memory. He is charged with murder; just before he is taken into custody a young boy arrives to warn him and they leave together. The story is about him discovering who the boy really is, who the woman who died was, and how he can pick up the pieces of a life he thought long lost.

I wrote a book of travel essays about Italy titled A Dream that Keeps Returning in 2007. It is a collection of many essays I wrote while I was living and taking Italian language classes in Italy in 2006.

You are a highly accomplished lady. Where do you hold your Cultural Writing Tours, and why?

I hold my TLC Cultural Writing Workshops in Italy and Turkey – both countries are beautiful, and exciting, and both are conducive to creativity. They began kind of by accident – I’d been traveling in Italy for a number of years, and writing travel articles for an Italian man for his Italian website (www.lifeinitaly.com). One year we met in person with our families in Rome and over a nice, long dinner he said: “I have a house here and have always wanted to be a tour guide. You are a writer and have done writing workshops. Let’s combine our talents and see what happens.” And that was the beginning! We’ve been doing them since 2008, and have another planned for October of this year. Any writer, at any level, can join us – we have a great time.

You must enjoy travelling. Can you tell us about a favourite place.

I can talk forever about Italy. From the time I was young  I’d pored over pictures and books about Roman history, Italian architecture and art, the Renaissance, Venice and its canals, ancient monuments… and finally I got a chance to go when I was almost 40. I spent six weeks there on my first visit and was entirely entranced. I would have moved there had I not met the man who became my husband here in the U.S.! Luckily he discovered the same love for travel and for Italy, and we are fortunate enough to visit nearly every year. My favourite city is Rome, with Venice a close second – there are essays in A Dream that Keeps Returning about both cities. I am currently writing a historical novel set in 1570, in a tiny town called Bomarzo just outside of Florence. As often as I can, I go there and work/write in a friend’s home overlooking a valley of Cyprus trees and flowers.

Turkey is my second-favourite country, with Istanbul almost on equal footing with Rome. I love ancient architecture and history, and you can’t go wrong in Istanbul on either count.

What books would you take to read while on your travels?

I always take a silly murder mystery or two, to pass the time in the evenings before I go to sleep. Typically I take some book of travel of some kind, typically about the place I’m visiting, or one I’d like to visit; one of the books I read most recently was Pagan Holiday by Tony Perrottet. I always take an academic book of some kind for whatever project I’m working on. And of course an English/Italian (or English/Turkish or English/Spanish) dictionary!

What do you consider your greatest achievement?

This is a difficult question. I am proud of the work I do as a teacher and mentor, in classes at the University of New Mexico and in organizations like Creativity for Peace¸ www.creativityforpeace.com/, in which college-aged students and young people, respectively, are exposed to ideas and cultures and people outside their own, and with whom they learn to interact. I try to always remember that when we have the opportunity and the means, it is our responsibility to do what we can.

I’m also incredibly proud of all four of my step-children and their lives – but I’m not sure how much of that is due to me – they’re pretty amazing in their own rights!

As for personal achievement, I am proud of my writing career; as all authors know, writing is a hard road and it’s difficult to keep believing it will happen.

You can find out more about Teresa on these websites:

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More winter 2013 releases!

Stephanie Patterson's avatarCrooked Cats' Cradle

Banish the winter blues with more exciting stories!

February / March 2013 Releases

Discover romantic spells, revealing Tarot cards, canine adventures, political uproar, chilling secrets and chocolatey murders…

Contemporary Fiction / Black Comedy

A Guide to Becoming Distinctly AverageAGuideToBecomingDistinctlyAverage

Amy Elliott-Smith

Dogs, depression and life…

Crooked Cat Books   Amazon UK   Amazon US

Romantic Fiction

HowDoYouSpellLove

How do you Spell Love?

Love, life and unexpected developments. Make a wish!Zanna MacKenzie

Crooked Cat Books   Amazon UK   Amazon US

Drama / Contemporary Fiction

BreathofAfrica

Breath of Africa

J.L. Bwye

Join Charles and Caroline as their lives unfold in Kenya over 30 years. Forbidden relationships, suspicious deaths and a curse that can’t be broken. Or can it?

Crooked Cat Books   Amazon UK   Amazon US

 Thriller Chiller

IKnowYouKnow

I know You Know

Helen A Howell

The cards don’t lie. Janice knows the man sitting opposite her is a serial killer…

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MAGIC – A World Wide Product

My good friend and colleague at Crooked Cat, Ailsa Abraham is my very first guest author. In order to complement the theme of dark psychological drama which runs as a thread through BREATH OF AFRICA, I commissioned her to write something about magic throughout the world – and she has done so in splendid fashion!

 Magic, as opposed to religion, which is why I am not covering Wicca here. There is ample information on the internet on that subject alone if anyone cares to google it.

  ayahausca-siberian-shaman

Siberian Shaman

The most common form of magic found all around the world is shamanic. This is probably the original animist magic in which every object, tree, stone, water, air, place has a spirit. These spirits need to be propitiated. Simple example being, the river is rising and your village is threatened with flooding. Somebody has to communicate with the spirit of the river to find out how to stop this happening. An offering might be made. A practice that is harmful to the river may need to be stopped. This obviously means that a “spirit communicator” needs to be found. Hence the need for a shaman.

  250px-Lassa_witch_doctors

African witchdoctor

These people have gone by many different names in different parts of the world. The African Witch Doctor is no different from the Native American Spirit Dancer or the Latvian Shaman. Each has learned how to journey to the spirit world and communicate.

medecine_man

Native American Spirit Dancer

Individual spirit communication is necessary to cure someone of an illness, which of course is caused by an evil spirit having entered their body. Sometimes, while journeying, a shaman will wear a mask to hide their true identity, to stop evil spirits “following them home”.

Even in my own more mundane “hedge witchery” which is a more European form, self-protection is necessary. When working on healing a person I will take steps to make sure that negative energy (easily seen as an evil spirit) does not transfer to me and make me ill in its turn.

Divination is also seen as a form of magic. Fortune telling, palm reading, pendulum work, card reading and the interpretation of oracles are all seen as magic in some circles.

Sympathetic Magic is the expression used to describe work which uses objects to represent the desired effect. If, for example the practitioner needs to draw money to them for a specific purpose, either real coins or representations of coins might be placed with the correct spell in a specific place at the correct time.

800px-Haitian_vodou_altar_to_Petwo,_Rada,_and_Gede_spirits

Voodoo has a very bad name which is unjustified. The practice originated from animist religions in Africa and was brought to the Caribbean and United States by African slaves. Forced into Christianity by their owners, they continued to practice their native beliefs and because these were misunderstood and done in secret, they were perceived to be evil “black magic”. If the slaves were using their magic to try to extract some form of retribution, I don’t think they can be blamed.

Black Magic does exist but due to sensationalism in the media it has become inextricably linked in the public mind with Satanism which is a religion. Black magic is merely magic done AGAINST people instead of to help them and is generally condemned by most witches. There is a widespread belief in the West that the law of Three Fold Return guarantees that whatever is sent out by a magic user will come back to them three times stronger, good or bad.

Digital Camera

Ailsa, Holding a copy of her book, Shaman’s Drum. You can find out more about Ailsa HERE.

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A Substantial Hymn of Joy to Kenya

BREATH OF AFRICA – the second half. (see Half way Through)

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I liked the way that, alongside the maturing of its characters, your novel became substantial as it progressed. The changing consciousness of the two boys, and of all the main protagonists, is very well captured.  Life becomes how it is lived, no longer subject to idealistic ideas or aspirations (black or white). Everyone has their certainties dented by lived experience and what is, in the end, shared is a rounded human life.

Undoubtedly, much of the novel’s power lies in the descriptions of landscape and wild life. You have an accurate and observant eye, but record with great feeling. I like this huge feeling you have towards Kenya – the sweep of Rift Valley with its soda lakes and birds and remote places – such as Baringo and Turkana and Magadi. And the Coast with its coral beaches, crabs, cowries, bougainvillea, palms and bandas. The awful roads and perilous shanty towns and everyone jostling to make a living.

It’s impressive – the casual but tough life lived by Caroline and her fellow citizens. “Breath of Africa”, as a novel, amounts to a substantial hymn of joy to Kenya.

One day, if ever you write about how you chose to structure ‘Breath of Africa’, I’d be interested to read it, especially why you used the theme of witchcraft and oathing to underpin “the plot.” I do remember those Mau Mau years and, later, reading about oathing ceremonies.  I remember once, as a child, seeing a witchdoctor.  And we had a pishi who undertook a witchdoctor’s healing for his abdominal pains. He must have believed that someone had “pointed the bone” (as they would say in this country) at him.

It’s an achievement, Jane.

From Jo.

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Beauty … Sensitivity … Compassion … Poignance

BREATH OF AFRICA

Breath of Africa

EXTRACTS FROM REVIEWS received from  Authonomy readers:

“One of the bestselling points of this story is the beauty of Africa; the title and the protagonist’s love for the country hints at an astounding nation, filled with beautiful and exotic colours, textures and smells.”

“I am gripped … a beautifully crafted book that tackles some complex issues incredibly sensitively. I love the dialogues between the different characters, the contrasts, and the way you don’t gloss over the complexities of some of the issues. You bring Caroline’s faith out in a helpful, non-dogmatic way.”

“This is an extremely well-researched novel. I also find it interesting that a person who isn’t a Black African would write this and do it with a high degree of compassion for what the native Kenyans went through but also a deep sense of the white farmers and the complex relationships they had with the tribal people. I like this. Very different. Very Unusual.”

“There is something very poignant and sad about this tale of end of Empire in Kenya, so vividly recalled.”

“A well-written book that takes you into the world of Africa so evocatively that I felt as if I was walking in the tall grass with the lions stalking me. Do check it out!”

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Half-way through BREATH OF AFRICA

Here’s some feedback from a friend I thought I’d lost contact with – she’s living in Australia now. What an amazing place is the internet!
Ngorongoro crater (2)
Dear Jane,
I’m being slow to read your novel – because it’s reading on computer-screen, which normally I avoid. I’m up to Part 3.
I can’t imagine anyone who had a Kenyan childhood failing to resonate with “Breath of Africa“!  It’s very immediate, and sensual, and the descriptions of animals are wonderful. What I can’t guess is how much your novel is a fictional form of memoir. I would think it largely is?
The descriptions of places we knew growing up in the ’40s and 50s, are a pleasure to read – Menegai, Nakuru and Nairobi races, the road to Nairobi and Nairobi itself.
As for the whole sequence of Charles’ arrival in London & Oxford – that must resonate, for many of us, too.  We went off, so unsophisticated, to rainy, cold Ulaya, not feeling that we belonged at all!  At the end of my first year, I went to Macedonian Jugoslavia with a bunch of student Labour types on very little money, just to be in some brown landscape with plenty of sun.
Am looking forward to the next sections. You are clearly an optimist, so Kenya is bound to look good. From here on in, your novel will seem new to me. It is where my memories of Kenya won’t be stimulated in the way they have been so far.
Thank you, Jane!
love,
Jo
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An Intriguing Journey

Another Interview, this time with Jo Valiyi, of the New Eastbourne Writers

My 60 seconds with…

J.L. Bwye – author of BREATH OF AFRICA

Set against the backdrop of Kenya’s beautiful terrain, Breath of Africa takes the reader on an intriguing journey through thirty years of change in this spiritual land.

Q. What or who inspired you to write this book?

A. Nicholas Monsarrat. I’ve read all his books several times, but could only read the two “Tribe” books once. They upset me.

For the whole interview, go HERE.

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