Can of Worms

“Africa is a harsh country, and life can be cruel…”

And now the can of worms has been reopened, as the BBC announces the British Government compensation deal for their handling of Mau Mau detainees in the 1950’s.

In BREATH OF AFRICA Mwangi is just such a victim – but the story represents a balanced viewpoint, after long years of mulling things over in my mind. I enjoy the freedom of expressing myself in fiction.

Thought you’d be interested in reading another review – from someone in France this time:

An interesting read. Having lived in Kenya for 20 years, Breath of Africa brought back so many memories, and waves of nostalgia. Many of the situations she described I lived through myself.
Africa is a harsh continent, and life can be cruel there. The author has captured this very well, and none of her characters have an easy ride. Even in a dynamic and emerging modern country, many of the people still believe in witchcraft and can and do die for no other reason than a witch doctor has told them that they will.

I particularly enjoyed her descriptions of Kenya’s stunning and varied landscapes. I could see the vistas and smell the dust, and hear the clink of bits in the horses’ mouths at the races. Her knowledge of the politics of the country is spot on.

The inter-racial love story is plausible, the characters believable, and I found the whole story to be realistic and satisfying. Just don’t expect everybody to live happily ever after.

 
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Keeping Things Fresh

I am excited to introduce one of my favourite whodunnit authors today, Dr Catriona King.

I have read three of her D.C.I. Craig novels, set in Belfast. They are impeccably written and very addictive. You can see my review of The Visitor HERE. And her fourth,  The Waiting Room  was launched by Crooked Cat last week. I just know that her stories would adapt well to a TV series, and what’s more, Catriona would write the scripts herself!

The Waiting Room (#4 - Belfast's Modern Thriller Series)

You have developed a technique to your writing, which works for me every time, and it appears that you know Belfast like the back of your hand. What led you to start writing a detective series there?

 I’ve always loved the Rebus novels written by Ian Rankin, and the way they educate the reader about Edinburgh. I wondered why no-one had done something similar in Belfast. But then I wondered if perhaps because ‘The Troubles’ here had lasted so long, people perhaps had been reluctant to write ‘ordinary’ modern crime stories e.g. crimes that could have occurred anywhere. So I decided to.

 I wanted to write a modern thriller series that had nothing to do with looking at the past but was right up-to-the-minute. I wanted the series to show Belfast and Northern Ireland for the modern European city and country that they are.

 There is so much beautiful scenery here, so many great shows, restaurants and shops that I thought someone needed to write about them, hopefully in an entertaining way!

 How long does it take you to write each book?

 Oh now, that’s an interesting question. I think the first draft probably takes about two months, but it can take longer if I’m busy with ‘real life’. The second draft, which in some cases is almost a re-write, can take the same time again.

 Then of course there will be the changes suggested by my editor which will take another few weeks. So minimum probably 3-4 months, maximum probably 5. Unless I get writers’ block…

And is every one more – or less – of a burden?

I’ve just released book four in the D.C.I. Craig series which is called ‘The Waiting Room’. After writing four books about the same team, set in the same place, I think that there’s a danger of becoming stale. So I’ve  made a conscious decision to leave D.C.I. Craig for a few months and write something completely different, to keep things fresh.

 I’m currently writing a novel set in New York called ‘The Carbon Trail’. It’s a spy/science thriller and has completely new characters. The first draft will hopefully be completed by July.

 I’ll start writing book five in the D.C.I. Craig series in the autumn. I’m too fond of the characters to leave them for long.

Tell us about other pieces you have published, and where.

My first attempt at writing fiction was when I was eleven years old. It was for a competition and I won an encyclopaedia, which I still have. I loved English literature at school but my writing fell by the wayside while I was practicing medicine, purely from a lack of time. Although I did write a lot of academic articles during my medical career and was a full time journalist on a medical newspaper called ‘Pulse’ for about six months. I’ve written book chapters on management as well.

 On a less academic note, I’ve written a play which will be performed soon.

 I would love to write a regular column for a newspaper or magazine in Northern Ireland, just to have a quirky look at everyday life here. There is plenty of material out there!

 I would also love to script D.C.I. Craig for television. I’m very open to offers, if anyone out there is listening!

Are you still practising your forensic medical profession?

 No, I don’t practice medicine now. I did an MBA which took me sideways into health strategy and NHS management and I’m still involved on that side of health..

 You have also lived and worked in London. Would you tell us something about the differences between living there and in Belfast?

 I like both Belfast and London, but I think that the strength of big cities like London is that they bring together so many people from different cultures, which is wonderful. Belfast is attracting people from many different cultures now, which is great.

 It’s very freeing living in a big city. No one thinks that they know you, so you can be exactly what you want to be. Small cities don’t have the anonymity afforded by large ones.  

 But small cities are quieter and slower, and that can be a plus, because they aren’t as lonely. London was wonderful but it could be very lonely.

 What do you consider your greatest achievement?

 That I hopefully helped some people when I was a doctor. It’s a great privilege to hear people’s vulnerabilities and be invited into their lives. And an even greater privilege to be able to help them in some small way.

  What books would you take with you on holiday?

 Oh goodness, that’s an interesting question! Before I became a writer it would have been crime novels and thrillers, every time. The Scottish writers Ian Rankin and Val MacDiarmid in particular. Sadly since I started writing crime I find it hard to read it, so I’m trying to educate myself to reading other genres ( when I get the time— to be honest, if I have spare time I would rather write than read.)

 I really like classical literature, and because I run a theatre company I read a lot of plays. I love anything by Oscar Wilde, and Noel Coward is another favourite at the moment. I’m also reading a great book at the moment written by an actor, Patrick O’Kane, who wrote it as part of his NESTA Fellowship. It’s called ‘Actors’ Voices’ I would recommend it to everyone, even if you have nothing to do with acting. It’s a real insight into what goes on backstage.

  What are your criteria for a good read?

 It has to move quickly. If a book doesn’t move along then I get bored and have been known to skip to the last page (I know, that’s dreadful of me).

 And I have to like the lead characters; otherwise I don’t care what happens to them!

 How did you find Crooked Cat?

 By a strange coincidence, really.

 Rose McClelland, an author from Northern Ireland, was interviewed in a local newspaper. She had a full page spread and she looked so cheerful and normal that I read it. She talked very positively about Crooked Cat who are her publishers.

 I looked at their website and submitted my first book, the first in the D.C.I. Craig series, ‘A Limited Justice’. They were very tolerant of my dreadful punctuation and offered me a contract and the rest is history. They’re great, very pleasant and supportive.

 Thank you for interviewing me, Jane.

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Waiting for the Muse

Nancy Jardine

I am privileged to interview Nancy Jardine today, yet another talented author from the Crooked Cat cradle. I have read two of her books and loved them both, for different reasons. You can see my review of Topaz Eyes HERE.

Topaz Eyes

Topaz Eyes and The Beltane Choice are very differently styled books. Have you any tips for producing work in such a variety of genres? Can you “switch” on the ambiance of a story, or do you have to wait for the muse?

 Great questions there, Jane. All of my novels are different in style and in intended outcomes. While waiting for my historical –The Beltane Choice- to be accepted by a publisher I tried writing a contemporary novel. That first one turned out to be a highly sensual romance-Monogamy Twist– but it’s also my first ‘ancestral mystery’. Waiting for ‘the muse’ fits very well since that book transpired from my watching a new Dickens serial on TV whilst I was first dabbling in my own ancestry researches. Monogamy Twist is my version of a Dickensian bequest of a slightly dilapidated English manor house. So, the muse might originally have been ‘Dickens’ himself. Topaz Eyes resulted since I loved the ancestral aspects of Monogamy Twist so much I wanted to create a much more complex family tree structure in a contemporary novel which had a deeper mystery- in fact a mystery within a mystery, and which had a lot more intrigue and greedy dark elements. Take Me Now is what I call a corporate sabotage mystery but it was intended as a fun sensual romp, the degree of sensuality necessary to have it published by The Wild Rose Press. Many readers of romance seem to love a highland hero- but my highland hero in Take Me Now is almost ‘tongue in cheek’, the story transpiring from my own experience in flying in a seaplane over the west coast of Scotland. You could say that in my novels I’ve attempted to introduce elements of: romance; danger; intrigue; mystery; adventure; even death; and history in some form- the mixture of those different in each novel.

You’re a girl after my own heart when it comes to travelling. What is your favourite destination?

 No favourites, I like too many. I’ve been very fortunate to have travelled to many places purely because my husband was working there for either a short or a longer time. Being confined to travelling during school holidays sometimes meant visiting places at the wrong time of year but that often made the trip very memorable. A Christmas /New Year trip to Calgary, Canada, meant temperatures of – 34 deg C. The scenery at Banff Springs was nose biting and hair-raisingly spectacular but it was so cold even the polar bears were inside at the zoo! It was also so cold our ski package was cancelled (below -27 deg C meant the tows/chairlifts etc weren’t working). A summer holiday in the Gulf States meant temps of + 45 deg C. Wadi driving and camel trekking was pretty uncomfortable, but we managed to do some. I’m very partial to European destinations, though, and love so many different cities for varying reasons.

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You say that locations in your novels have been inspired by far-flung places. What do you look for first when you visit a new place?

 In 2011 I went to the Malaga area for the first time. I honestly wasn’t noting all the multitude of white concrete apartments, but I did love our trips to the old town areas, and our drives into the mountains. That will definitely be worth writing about. The ambience of some of the little town squares that weren’t too touristy was fantastic; the smells; the colour- all made an impact. I now look more at the locals than before with a different ‘eye’.

In Dec 2009 I made a three week pre-Xmas into the New Year ‘immediate family road trip’ from Los Gatos, near San Francisco, all the way up to Vancouver, BC, that was absolutely fantastic and so varied.  We rode in a Dodge people carrier, stopping off at a different motel each night. We squeezed in the most amazing places during the day, places we’d all had fun agreeing on while planning the trip. I’m lucky that my daughters and their spouses love the same kind of experiences and we all had a ball. I nearly killed one of my sons-in-law while driving a snow mobile at Whistler, Vancouver …but that’s another story! It was a fantastic time and I have so many notes and photographs that I’ll translate it into a novel sometime in the future.

“Nancy has published 50 novels in the last year alone.” Is that true – or a typo in “The Advertiser” of 3rd May, featured on your website?

Sadly so not true, Jane. The local paper has published an apology for the mistake after I contacted them. I’m guessing that the reporter mixed up the fact that I’d created 50 copies of the ‘Loco Works Teacher’s Historical Resource Pack’ that I created for Aberdeenshire Schools back in 1999. Or it may have been something to do with the fact that when I wrote the School History Book for Kintore School- ‘a squeel at kintore fir monie a year’ – 300 were sold on the school open day and I had to order anther 50. Sadly absolutely all profits of those two projects went to school coffers and not mine! Between Aug 2011 and Dec 2012 I did manage to have 4 novels published and am pretty proud of that.

How did you find your publishers?

Having had The Beltane Choice rejected by one of the ‘big’ publishers (after more than a year of waiting) I looked at the internet for e-book publishers who were accepting unagented submissions. I found The Wild Rose Press (New York Basin) and sent it off to their historical editors. They replied within a few weeks but also rejected it-however, they did give me lots of advice on how to improve it. They were so helpful I sent Monogamy Twist to The Wild Rose Press contemporary editors who immediately accepted it. They also pounced on Take Me Now. During the time I was waiting for the publishing dates for those two contemporary romances I joined a yahoo loop for authors of The Wild Rose Press. While scanning the emails I saw a reference about a new publisher called Crooked Cat Publishing which had just started up in Edinburgh. By then I had redone The Beltane Choice. I sent it to Crooked Cat Publishing and it was accepted by them in early in 2012.

 Tell us about the books you like to take on holiday – do you use a kindle?

 I’ve got a basic kindle. Though I always like to be sure and tend to have a paperback in case my kindle battery runs dry. Years ago I read anything and everything as an escape from the reading I needed to do for my teaching. Between 2005 and 2012 I would say that dropped off to mainly reading romances (to find out what was being published *wink, wink*) I’m now more eclectic again, but my reading time is severely limited. Sadly, my TBR pile on my kindle is huge and I’m only slowly clearing it.

 You say that you’ve recently been reading many more genres. Have you discovered a new one that you specially – or surprisingly – enjoy?

 Yes and no. I’ve enjoyed reading the cosy whodunits and the crime novels that Crooked Cat has been producing. As a teenager I read a lot of ‘Miss Marple and Poirot’ type novels so, I guess, that’s me reverting back to type. Vampire novels don’t usually appeal but I recently enjoyed ‘Soul Taker’ by Karen Michelle Nutt. I occasionally enjoy a chick-lit book and found ‘Tracy’s Hot Mail’ by T.A. Belshaw absolutely hilarious. The YA and chick-lit multiple POV books I’ve read recently have been quick reads which has appealed to me when my time for reading is short. Though, having said that, I don’t really enjoy novellas as much a full length books – which is stupid – since I should enjoy them more when reading time is scarce.

 What are your criteria for a good read?

 If I’m tired I want an easy read that challenges me enough, but doesn’t frustrate. Otherwise I really appreciate a novel that’s well written, well edited and has a good storyline. I get really annoyed by spelling/ grammatical errors- the teacher still in me, I suppose. I like an ending that satisfies but it doesn’t have to be a happy ever after. I’m honest enough to say that I don’t enjoy work that’s too unusual and sometimes I wonder why a highly rated novel gets the acclaim it often does. I struggled to read The Lovely Bones- though at the time it was so popular.

You are a fascinating lady, and a woman of many parts. What do you most prefer doing? 

 I love my time with my granddaughter a couple of days a week. She is a total joy and the rapid rate of her learning is so inspiring. I mostly like tending my large garden but it’s sometimes a chore since some jobs can’t be done with a toddler around, though she is an outdoors girl. The weather can be a bind at times as well. As I write this it’s sunny outside and I should be cutting the grass (not done yet this week). That’s a two hour job so I’ll just have to hope it’s still sunny when I’ve completed this for you. The problem then will be that this is meant to be a writing day and my current writing is going so slowly. I would prefer to find better ways to fit more reading in to my day but haven’t managed that yet. I really want to finish the two novels I’ve got on the work table!

Did you ever day-dream?

 When I was between 7 and 10 years old I devoured books and comics and wanted to be ‘a Sandra of the Secret Ballet’ ballerina. Since I couldn’t dance for toffee I stuck to reading and other pursuits like Brownies, Girl Guides and the choir (can’t sing either). As a teenager day-dreaming was more of the type of ‘I wish my exams were over so that I can do all my other hobbies’. Achieving my Queen’s Guide Badge during the late 1960s meant a lot of work, and I played a lot of sports after school. I also used to knit Aran sweaters, watch TV and read a book at the same time. (Truly – things like War and Peace/Gone with the Wind) My day-dreams are now filled with how the heck did I do all of that?

What lovely questions, Jane, and my apologies for waxing lyrical. Thank you for inviting me to be interviewed.

Nancy can be contacted at:

Amazon UK author page  http://amzn.to/N6ye0z  
Amazon.com author page  http://amzn.to/RJZzZz

http://nancyjardine.blogspot.com

http://nancyjardineauthor.weebly.com

http://on.fb.me/XeQdkG

Twitter @nansjar http://about.me/nancyjardine

http://uk.linkedin.com/pub/nancy-jardine/3a/9b0/a91/   Google+

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Shout to the World

It has been an amazing week.

4 view cover

First, I discovered that Amazon bracketed BREATH OF AFRICA with Daphne Sheldrick‘s new book, An African Love Story, inviting readers to buy both together as a package.

It was an honour to be thought of in the same breath as this world famous lady, and mention of her on my Facebook page set a record “reach” and number of “hits.”  I was caught up in a frenzy of responding to “likes” and comments, and watching my Amazon Sales rankings rising and dipping and rising again. Goodness knows what my blood pressure would have been like, had I not had to carry on with the daily obligations of my week. As it was, my computer went into overload, and even hung once or twice.

As a business mentor, I have tried on occasion to practice what I preach, and have learned much from forcing myself, against a natural grain of diffidence, to experiment with forms of marketing. Results have been various, to put it mildly.

Attempts to sell first class products with popular promotion techniques ended in disaster and a lot of wasted investment. I still use some skin care and cleaning products, and cant understand why no-one else I know appreciates them. Or perhaps it was my embarrassment at daring to try and persuade others to part with their money for my own gain. And the battering I received from rejections and – even worse – being utterly ignored by agents and publishers, did my ego no good either.

It was the Authonomy peer review website, that gave me another opportunity to try and overcome my natural reserve and use the experience to set myself apart from my book, so to speak, and see what systematic marketing and cultivation of supporters could do. I surprised myself, BREATH OF AFRICA reached the top of the tree, won its Gold Medal, and for four months even Harper Collins hummed and hawed about taking it on. Their rejection hurt me not one jot, for the Crooked Cats were waiting in the wings, and pounce they did. I could never wish for a more friendly and supportive collection of people.

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But that’s not all. Following on from my successful authonomy marketing plan, I’ve been tackling the social media. It’s been a long learning curve, and I’m only a short way along that road as I stumble up blind alleys and trip past significant pathways. Twitter is still a bit of a mystery, but I have experimented by promoting my book as a good #holiday read for #travellers to #Africa and #Kenya. My targets have been holiday makers, travellers, readers (and aren’t all authors also readers?) travel agencies, tourism, travel journalists, even animal lovers, conservationists and #kindle owners. Come to think of it, the list seems endless.

And then, a couple of days ago I discovered that the book has silently been rising up the ladder in hitherto unnoticed Amazon categories. Now I can shout to the world that BREATH OF AFRICA is an AMAZON BESTSELLER occupying a top ten place twice over!

Yes, I know there are thousands of Amazon bestsellers around. I never bothered to try and understand the meaning of this meaningless term before … but it’s amazing how a person can change.

Just thought you’d like to know.

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Books On Location

Zanna MacKenzie is my guest blogger today. Formerly a travel agent, she is also an experienced arm chair traveller, evidence this interesting little piece. You don’t mention Africa, Zanna? Perhaps a savour of its breath will tempt you to widen your horizons even more!

I think where a book is set can influence whether or not we are tempted to read it – city or country, UK or overseas. Would you prefer to escape into a book set on a hot and sunny Mediterranean coast or in the cold and snowy Canadian mountains?

Personally I love novels set in rural surroundings or on the coast in the UK. I’m not much of a city person but I have been intrigued by plots and drawn to reading books set in bustling cities such as London, Sydney and New York.  I did enjoy those books despite the locations not holding much appeal to me, so location certainly isn’t everything but I think you can say that the setting is something of a supporting ‘actor’ to the characters in a novel and can really help to bring the book to life.

I suppose I have a particular weakness for books set in Scotland, and some of my absolute favourite books have been set in Ireland as well. One book set on a fictitious island off the west coast of Ireland made me feel as though I was on holiday there with all of the characters. I could smell the sea air, stroll along the lanes and see the little cottages dotted amongst the landscape, it was wonderful.

Books set overseas can make fascinating reading and allow you to learn more about the customs, traditions and the lifestyles of those who live there. I’ve learnt much about Hong Kong, the Australian outback, Quebec and Montreal, North Carolina and New England from reading novels set in these fascinating places.

My first novel (yet to see the light of day!) is set in one of my favourite places in the UK – the stunning Lake District. My recently published second novel The Love Programme is set in Scotland –where I used to live – and explores the glorious landscape of the coast and mountains of the Highlands, complete with private country estate and castle.

My most recent release How Do You Spell Love? is set in one of my favourite places to visit for a holiday, the coast and moors of North Yorkshire.

So, how important do you think the location is in the books you read? Do you prefer hot and sunny or cold and snowy settings for books? Are you a city or country person?

Zanna’s book, How Do You Spell Love, is Chicklit/rom com with a magical theme, published by  Crooked Cat.

And you can find more about Zanna   HERE.
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Take a Deep Breath of Africa

Elephant

Jill Lake, author of A Garden in Africa, posted this review of my book on Amazon. I’ve never met her, but we have made friends on-line as a result. Isn’t our techno-world amazing!

A thoroughly enjoyable read. Like the author, I was raised in Kenya and can relate to many of the characters and incidents in this book. The story, for the most part, deals with Africa in the post-colonial era and shows the complexities of life and relationships in a developing nation. Here, the star-crossed lovers have to try and overcome a racial and cultural divide as deep and wide as the Rift Valley itself, and how they go about this is the very heart of the book. Those who have lived in Kenya, or visited it, will find joy as I did in reliving the sites and scents and sounds of that wondrous country. Those who have never been there will find themselves transported by the felicity of Jane Bwye’s evocation to the wide, game-filled plains and great mountains and deep forests and lovely seacoast that make Kenya such a special place. Along the way you will meet valiant Caroline and ambitious Charles, doomed Brian and tragic Teresa, kind Boney and malevolent Mwangi and all the other characters that bring Breath of Africa to life.

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Stand By to Place your Vote!

tom web

Today I am delighted to welcome Tom Gillespie, erudite member of the Crooked Cat’s cradle, and a lively contributor to our on-line chat. Tom’s book, Painting by Numbers,  is a finalist for the People’s Book Prize 2013.

Painting By Numbers

 And, although it is a far cry from the wilds of Africa, I thoroughly enjoyed the read. See my review of his book HERE and scroll to the end of the page.

How did you get your first break in this world of novel writing, Tom?

Oh it was a long and dark journey with many potholes and traffic jams along the way! Painting by Numbers was rejected or ignored by over 30 mainstream publishers and literary agencies. I can’t remember how many samples I sent out, but many seem to disappear into the great slush pile in the sky. But then after months and months of banging my forehead against my typewriter, I was contacted by a major London literary agency who liked the book and expressed an interest in representing me. The agent was extremely helpful and gave me a great deal of support and guidance, going through my manuscript with a fine tooth comb, offering constructive criticism. This helped me tighten and strengthen the narrative and character development, but also, he taught me so much about what makes a novel tick. But after another nine months or so, I still didn’t have any formal commitment from them, so I decided that if I wanted my book published at all, I would have to cut my losses and plough on elsewhere.

So after that, instead of a pointless pursuit of the majors, I short listed about half a dozen smaller, independent publishers. To my astonishment and amazement, I received four requests for the full manuscript and some generous praise for my work. I couldn’t believe it, I was on the brink of throwing in the towel and suddenly I found people who actually liked my novel.

I’m now signed to Crooked Cat Publishing. One of the main reasons I signed to CCP was that not only do they have a great love of books, but they also love, encourage and support the writers of books too. And perhaps most important of all, I feel my writing is understood, valued and respected.

I found myself carried away by the rich prose, pungent odours and vivid colours described in your book. What inspired you to write such a dark surreal thriller as Painting by Numbers?

Although my novel started out as a one page flash story, prompted by an incident I observed during a visit to El Prado museum, Madrid, the real inspiration and star of the show is Las Meninas, Diego Velazquez’s magnificently mysterious Baroque masterpiece.

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When I was a student, I shared a flat with sculptor friend, who had a poster of  Las Meninas on the wall of his bedroom. (Yes I know, he was a little strange). This was my first encounter with the painting and I asked him which modern artist had created it. I couldn’t believe it was over 350 years old. I thought it was some kind of masterful postmodern pastiche on the baroque style. It remains one of the most enigmatic and thought-provoking works of art ever created. It was so far ahead of its time, we’re still running after it, trying to catch up. I always wanted to write a story that would involve Las Meninas, and when I started digging deeper into the history, the theories and controversies of the work, I found that the plethora of questions it raises helped me devise and develop the narrative for my book, and that Las Meninas would become a symbol of my central protagonists struggle to make sense of his past.

At times I was reminded of the Da Vinci Code. Did you have the Dan Brown style in mind as you wrote it?

I started writing PBN when I was living in Spain,  and I had no idea who Dan Brown was or all the bluster of publicity that The Da Vinci Code was generating at the time. So he was definitely not in my mind. Although there may be some thematic elements that are quite similar; an old painting, some weird mathematical puzzles, a conspiracy of sorts and a thrilleresque structure, Painting by Numbers is a surreal psychological road trip told from inside the head of my central character. Da Vinci Code is much more conventional and genre specific, I think.

Has feedback from readers shown the “old truth, buried deep within” Jacob was successfully revealed? And have you ever felt that a reviewer did not read your book properly?

I try as best I can never to speculate on what reviewers and readers think or don’t think about my work. I love writing that allows the reader to make up his or her own mind about what they believe might be going on and I wouldn’t want to interfere with that. I don’t like stories that spell everything out or lead the reader by the hand. Of course, we all want people to read and love our books, and even when readers don’t like it, I feel quite satisfied that the work has at the very least produced an emotional response.

Tell us about any other books you have written.

Painting by Numbers is my first novel. I’m a huge fan of short stories and flash fiction, and I’ve been scribbling down stories from childhood. A number have been published in magazines, anthologies and online collections. I’m always torn between the sprint of the story and marathon of the novel, and I find it quite difficult to do both at the same time. At the moment, I’m working on my second novel, about a down and out, once-famous writer who is left an expensive house by an adoring fan.. wishful thinking or what!!  ..But all is not what it seems.

You’ve just completed the A to Z Challenge. Bearing in mind your Zeitgeist entry, would you care to pick one of your most loved “rabble rousers” and tell us how it turned you on?

There are so many rabble rousing writers that I love, but I suppose one of my all time favourites is Bill the Bard, William Shakespeare. I find it absolutely astonishing that his work continues to shock and enlighten, with its radical ambition, ideas and mesmerising use of language. He manages time and time again to tap into the cerebral cortex of the universal human condition, and I suppose that’s why his plays and poetry inspire across cultures and generations.  But for me, it’s also his supreme command of the language that inspires me the most; the flow, rhythms, textures and music in his words, along with his linguistic invention are utterly jaw-dropping. If there wasn’t a word or phrase that could adequately capture the mood or emotion of the moment, he’d just make one up. Shakespeare cut a pioneering pathway for us all to try and follow.

I see you’re an English lecturer. Have you any advice for newbie authors?

Oh dear.. I don’t consider myself an authority on anything really, except perhaps the inside of a beer bottle.  The only advice I remind myself of now and again is to always aspire to be an aspiring writer.

 

What books would you take to read while on holiday?

I’ll read anything on holiday. I load up my kindle with all sorts and jump into whatever takes my fancy, from pulp thrillers or heavy lit fiction , through to rom coms and crime.  I don’t really mind. I’m always just happy to refuel my soul with plenty of rest and simple pleasures.

What interests do you have, apart from songs and a hyper-neurotic cat?

You may not believe me but I love gardening. I’m blessed with a slightly obsessive, addictive personality, so I find the whole gardening experience a liberating release from my worries. I find that when I’m lost in muck, rotting leaves and clippings, the cogs in my brain start to slow. I find it totally absorbing and relaxing. I love burying my hands in the soil, getting the dirt (and cat poo !) under my nails, digging holes, planting saplings and watching life grow up and around our house, and amongst our lives. Having said that, our garden is still completely overgrown and insane, but it is my oasis of calm and my special place to think and not to think.

What do you consider your greatest achievement?

I wouldn’t call it an achievement exactly but what (or who) makes me the most proud, is my daughter. She is joy personified. I suppose in terms of creative achievement, I’m still very proud of the clay ashtray I lovingly made for my dad when I was in Primary 4. He used it for years until his emphysema got too bad and he had to give up…….I am joking about the emphysema…. but surely only in Glasgow would kids make ashtrays for their parents!

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Two Books in Two Months

Well – the second one is a booklet, really. And it only took a year to produce, from beginning to end. It’s special: a limited edition History to commemorate the first fifty years of my Church, St. Wilfrid’s. But it’s still a publication…. and will be launched on Sunday 11th May 2013 (tomorrow)!

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Quite a contrast to BREATH OF AFRICA which was conceived a whole forty years ago, and went through countless agonies before emerging, gasping for air, in mid-March.

So – I’m a real live author, twice over. I’m pinching myself, but can’t feel a thing…

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Words and Pictures

I’m hosting Pamela Kelt today.

She’s a lady with a twinkle in her eye – new to the Crooked Cat’s cradle – and has just completed the fascinating A-Z April challenge for bloggers. She’s taken a lot of trouble with her posts, and is clearly into dedicated research. You can find Pamela’s Blog, and learn more about her HERE. (I, too, did a Latin A-Level. There cant be many of us around).

What Pamela reveals about WORDS and PICTURES below is well worth a read.

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The other week I was in a panic. As I rummaged around my laptop becoming increasingly frantic, I wondered how I could possibly lose 200 photos I took in Český Krumlov.

Where?

Don’t worry. I’d never heard of it either, until my husband was invited to a meeting there – and I managed to tag along. I’m not too old to be a conference groupie just yet.

CZ is a heritage city in the Czech Republic with an impressive castle, an exquisite old town filled with fabulous Baroque buildings, cobbled streets and elegant squares. I photographed everything in sight .., and the idea for a book had formed before I got home.

Premise: politics and mayhem with a pleasant but murderous anti-hero – set against the background of 17th-century Bohemia. I called it Machiavelli’s Acolyte and I’m about halfway through.

I’m no expert in European history, so it was time to bone up. Bit of research here. Bit there. Then help! Where were the wretched photos?

As I trawled desperately through my files and folders, old disks and discarded memory sticks, I realised how much I rely on visual stimuli to kickstart the whole manuscript process.

I began to analyse the process. It seemed I often started with images to remind me of what I needed to research and help me build up a bank of references, mainly online, before I launched into a detailed plan.

At first, I tended to rely on holiday snaps, but then I purchased my own digital camera. Just a basic, lightweight piece of kit that fits in my back pocket. I tend to take it everywhere, even just walking the dogs. And boy, do I use it.

As my files increased, things got chaotic so I trained myself to keep better records (renaming files, keeping dates, making duplicates etc) so I could access all these bits and bobs in my ever-increasing visual archive.

The first book was a bit minimalist when it came to pictures. I just had a document called (rather imaginatively) ‘images’ and I bunged in anything that caught my fancy. I still do this when I’m starting out, but now I have separate folder and sub-folders for every title, as well as labelled batches of folders among my internet ‘bookmarks’. I also try to make the time to rename these with key words for easy retrieval.

Latterly, I rework these images into an online scrapbook. I sometimes wonder what a scrapbook of a truly famous book might look like. The idea has merit …

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Back to the CZ panic. As I tore through all the virtual stuff, it dawned on me that I’d been collecting actual images for years on different themes: postcards from art galleries, those free maps you get when travelling, fliers, stamps … anything that triggered the old grey cells. These I tuck in actual folders, all in arm’s reach of my desk, so I could refer to them as required. Now, I have a quite a collection. I often prop up a key image on my shelves by the desk to prompt the right mood.

But images aren’t just useful for inspiration. Having prints or photographs in sight helps to keep things authentic and helps to pinpoint telltale details. The mind plays tricks when one is in the thick of plot-snorkelling.

A useful adjunct to all of this are online photographic archives. For Tomorrow’s Anecdote, set in the 1980s, I fell upon an online history of computing site with much relief. Finding pagefuls of accurate images of genuine Thatcher era stuff was becoming increasingly hard. Have you tried searching Wikimedia by date? It’s a nightmare.

There’s more. In the heady new world of epublishing, people like authors to have blogs and websites – and I think blogs are more fun with pictures. It’s invaluable to have a batch of copyright-free images that you can pepper all over the place. They tell a story, they’re personal and they show you mean business.

I feel that each book deserves its own bloggy website thing, so ditto with the peppering.

And when it comes to PR, you also need photos of yourself. I rope in my daughter, usually, as I’m useless at self-portraits and camera timers. And I mean useless. However, it’s a cringing must, even for folk like me with a deep case of camera phobia. I’m the original invisible woman with an uncanny knack for sloping out of the way when people start snapping. But needs must.

I’m now staggering into the brave new world of audio-visual material – more images! More, more, more. It’s astonishing how many you need for a book trailer. It eats pictures.

When I used to write features for provincial papers, I always had to ‘write to a title’. Now I ‘write to in image’. As soon as I’ve finished the mega chapter-by-chapter plan, I do a mock-up of the cover. It will never be used, and that’s fine, but I have to go through the process to ‘picture the book’.

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For me, designing a cover concentrates the mind much more than writing endless blurbs and synopses.

By the way, I found the Český Krumlov photos. They were on an abandoned laptop. Oh, the relief.

PS What key images inspire you? And where do you find them?

Pamela’s book, Tomorrow’s Anecdote, released on 26th April, looks to be a great read.

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A Little Matter to do with Tarot Reading

Today I’m interviewing Helen Howell, another special author from the Crooked Cat cradle. She lives down-under, and if it weren’t for her advice on a little matter to do with tarot reading, I’d be guilty of a lapse in my research for Breath of Africa.

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And her novella, I Know You Know  is a compelling read.

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When did you start writing – and what occupied you before you “took up the pen”?

I started writing in 2010, prior to that I was a watercolour painter.  Just before I swapped to writing, I had  been painting and exhibiting my work for around 18 years. I’ve always done something creative and I see writing as being not that much different from painting. Writing to me is just like painting pictures with words.

What prompted you to write “I Know You Know”?

I have a history of reading tarot that dates back to the 1970’s and I know how it is possible to see with the cards, certain things about a person’s situation. So I thought wouldn’t it make an interesting story if not only could the tarot reader see in the cards that her client was a serial killer, but what if the client suspected that she knew. What then? How would that play out? I Know You Know was born from that initial idea.

It is a neat, well-crafted thriller, easily digested in one sitting. Have you written any longer works?

Yes, the book I released in 2012 which I self published, was a fantasy fiction call Jumping At Shadows aimed at a mid grade audience or adults that like to read mid grade fantasy.  The original story before its many editing sessions came in at over 60,000 words, but the finished novella came in at just over 47,000. It’s still classed as a novella as it was under 50,000 words.

Tell us about the others genres you write in.

The genres that I write most in are horror, fantasy, noir and humour. Right now I have a friday flash serial running on my website that is in the horror genre and is written as micro fiction, that is each episode is just 100 words.  I also have a Tuesday Serial that runs as well called WIZARD and that is a fantasy fiction, with episodes of around 500 -1000 words each. 

I enjoy writing flash fiction, that is stories of up to 1000 words, as this allows me to explore different genres and find out what I am capable of writing in.  This is how I discovered that I have a talent for writing 1920’s gangster noir, and these stories that I have shared have been met with really good responses.

Where have you published your work.

My work has appeared in both ezines and printed anthologies. Also  I have had a tarot article published in Spheres Magazine Issue 26 2010.

I’ve had a dark story called Tap, Tap, Tap, showcased in Lily Child’s Feardom Blog’s 2012 February Femmes Fatales and a gangster noir story called Calling Card showcased at the Bijou Blog in their 2012 Noir Fest. 

My story ‘I Am’ won second place in a peoples choice competition held by the ezine, The Were Traveller, last year.

I’ve noticed your activities on Twitter, and am impressed by your following. Do you have any advice for newcomers to this form of social networking?

Not really, you just have to feel your way, learn which hashtags to place on your tweets that will get you noticed. Perhaps even join in some groups etc.that share the same interests as yourself and interact with others of course.

You are a full time author. Would you give us an insight into your typical day at the office.

I’m very undisciplined.  I write when I feel like it. This can be anytime really, although I must admit mornings are the better choice when one is fresh and more alert. But to tell you the truth I do most of my writing in the afternoons, my mornings are spent checking out the social media, chatting does use up time! ^_^

You started life in England. Would you tell us something about the differences between living there, and in Australia?

Probably the biggest difference is the climate and size. Everything is a bit more spread out in Australia. I’m very lucky because I live on the peninsula and have the Port Philip Bay on my doorstep, so the beach is only 10 minutes away by car.  The wild life is different here, but then England does have its own treasures like robins and blue tits while we have parrots and miner birds, galahs etc.  I think each country has its merits.  Australia is a very diverse community,  so that does make for some very interesting food.  I do miss a proper English Pub though. We do tend to have more hotels here than what you would call pubs. Although I did have lunch in one that was getting nearer to the description of a pub the other day and it went under the name of a Tavern.

What do you do in your spare time?

 I garden, I get great pleasure from working in the garden and also I go or at least try to go most days for a walk.  Coffee and lunch with girlfriends is always a welcome pastime too.

How did you find Crooked Cat?

A friend was already with Crooked Cat and they recommended them to me.

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