Riding Out

I started on a donkey. At school I lived for my riding lessons, and had to write my Kenya Preliminary Exams with my left hand due to breaking my arm falling off a horse.

img015Heaven happened when at the age of thirteen my grandparents gave me a pony, and I would go off alone with a dog running alongside for miles over neighbouring farmlands, much to my parents’ consternation. I could never tell them exactly where I was going. I also rode twenty miles over two days to Pony Club rallies – and back again.

The injury to my arm raised its ugly head years later when I had to wring out nappies on a daily basis. But when the children were older, I would ride with them 15 miles to Pony Club rallies and back again in one day. The horses were super fit then, thinking nothing of walking twenty miles to a three-day show. We drag-hunted, hacked, raced, trekked, jumped, dressaged, played games, and even tried polo.

I’d go to the races regularly and moon over the sleek thoroughbreds parading in the ring. Inevitably, I’d pick out one in the first three, just by looking at them. I even owned a racehorse, and for a brief period, trained one – until he deposited me on my head one day while hacking out. It was six months before my mind cleared and I came to my senses.

Then I damaged my spine in a fall, which effectively crippled me for twelve years. It was sooo frustrating. No longer could I play tennis, or even stand for more than five minutes without looking for somewhere to sit. My muscles became flabby, and I grew outwards with soul-destroying speed. Then, I found a doctor who said I could ride, so long as I didn’t fall off. I discovered I could actually ride without pain, so long as I didn’t trot, and I had to take the forward seat when cantering. Of course I did fall off – and I kept very quiet about the small black bruise at the base of my spine which took ages to disappear. I could still ride without pain.

But then a miracle happened! Three months later, I discovered I could stand for long periods without having to sit down; I could walk for hundreds of yards without having to stop and rest because of the sciatic pain. And I could play tennis again. I “walked” round the world…

Coming to the UK was a challenge. I could not live without riding over the hills and far away, so found regular rides through the forests and over the downs. Whenever I go on holiday I try to organise a ride.

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My time in the Lake District was wonderfully memorable – I’d never been so high off the ground before. I’ve been on a pacer in New Zealand (most uncomfortable), and galloped a wild west pony in Monument Valley (Eeeee – haa!);

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I’ve ridden through the rock formations of Cappadocia in Turkey, and been driven in a fiacre in Vienna.

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I’ve even ridden down the Sik at Petra.

And of course, being on horse-back among the wild animals of Africa is the most special of all…

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… must come down to earth with a bump, now, and send the sequel to Breath of Africa off to the publishers.

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Places that Inspire

Today we’re going to join my friend Lela Markham from Authonomy days, as she goes hiking in Alaska. This is the setting for her new book  Mirklin Wood and she gives us tantalising glimpses of her beautiful descriptive prose. Over to you, Lela!

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Writers Sharing Their Worlds

Welcome again, to Carol Maginn – it’s a long time since Ruin, and her last visit to my blog! I know you will enjoy her meanderings round the settings of her new book, Daniel Taylor.

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Firstly, I would like to thank Jane very much indeed for inviting me onto her blog, to think a little about the settings of novels. It’s particularly relevant when Kenya is such a large and magnificent character in her Breath of Africa.

Daniel Taylor  began life when I was living over in Rome. I spotted a gaunt, preoccupied man striding across the Piazza del Popolo one evening, and decided on no evidence at all that he was probably a private investigator.

castell d'angelo 056All my impressions of Rome were those of a stranger. I had much more in common with my second character, the hapless Dan Taylor, who is in Rome on holiday and gets caught up in events he doesn’t understand, which mostly take place in a language he also doesn’t understand. Daniel Taylor, on the other hand, is what I aspired to be – fluent in Italian, and at home in his surroundings.

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I wanted to note all the small and fabulous things as well as the grandeur. Rome is human-sized, complicated, and endlessly interesting. I never stopped being impressed by the unerring speed of service in the bars, where morning espresso and cappuccino were delivered to a never-ending stream of morning commuters.  The city copes with sweeping rain and thunder storms, heat, traffic, pollution, bureaucracy and visitors, and generally copes well. It’s almost (but not quite) impossible to find bad food, and absolutely impossible to find bad coffee. I became dangerously addicted to the dark, thick hot chocolate and the simple, thin pizza rossa.

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Rome is a walking city, and my characters get to walk quite a lot. I can see the pleasure that writers get in mentally – or actually – tracing the routes of their protagonists through real streets. I also remember idly noting how on the Metro there’s no partition between the carriages, and thinking how alarming that would be if one were trying to evade pursuers.

This novel also took a few diversions. There’s a visit to Levenshulme in Manchester – a slightly ramshackle suburb in a rainy city where I lived for a long time. I’m very fond of it still. Where better for an older brother who hasn’t quite made his fortune?

And then there are trips to the USA – to Aberdeen in Washington State, and Cambridge Massachusetts. Again, these are places that I’ve visited. One of the attractions for me of Cambridge MA was the River Charles, and its bridges. I’d vaguely thought that the low, broad parapets would be pretty good for jumping off and living to tell the tale….and so they prove.

I enjoy the sense that a writer is sharing a world they know well with me – from Dickens’s London to Sefi Atta’s Lagos. But I also enjoy settings that exist only in the author’s imagination – the world of Mervyn Peake’s Gormenghast, for example, is at least as vivid as anywhere that really exists, as are the dual realities in China Mieville’s The City and the City.

I’m not terribly literal. I’ve never been tempted to do a tour of Rebus’s Edinburgh or Ferrante’s Naples. Or even Leopold Bloom’s Dublin. I’m happy with what the writer feels is relevant and important, or, rather, what is relevant and important to their characters.  I’m stunned by the vivid pictures which Barbara Kingsolver paints of Congo, and the intense beauty of Thomas Hardy’s bygone Wessex.

And maybe, just maybe one day, I’ll conjure a world as half as real as theirs….!

Carol’s Amazon author page: http://www.amazon.co.uk/-/e/B00H4I0TTI/
Carol’s website: http://camaginn.wix.com/-carol-maginn-writer

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The Joys of Spring

Last weekend I enjoyed one of my favourite things.

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Since coming to the UK from Kenya sixteen years ago, my one biggest challenge was leaving behind our animals and learning to live without any dogs, cats, horses, cows, chickens, geese, in a strange new environment. Especially horses.

We live at the foot of the south downs, and I would ‘escape’ up there at every opportunity, seek out a view which had not a sight of human habitation, and soak up the sounds of nature. But the birds kept hiding behind the foliage. I found a horse, paying for every wonderful ride through forests and fields; I shared a horse, but it was time-consuming and expensive, and my back (an old riding injury) kept playing up whenever I did the mucking out; I didn’t really know how to, anyway, as we had syces to turn the bedding in Africa.

But what I could do, was judge dressage. I had been judging for fifteen years in Kenya. It would keep me in touch with the horsey world, which is the same the world over. But in the UK there were obstacles; I no longer trained others, nor was I competing; I had also accumulated some ‘unsuitable’ ways of commenting. Never one to avoid a challenge, I studied hard and practised often. I sat the exam, and on the second attempt managed to clamber onto the bottom rung of the British Dressage list of Judges. What a godsend.

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Now, most weekends – and a few weekdays – I visit some amazing English estates and drive through glorious countryside to venues for Events. I’ve even had Olympians come before me. (Even the best of international riders have to bring on young horses from the bottom up). As judges we’re treated as VIPs, with delicious lunches thrown in, and I meet such an interesting variety of people.

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That’s what I was doing over this May bank holiday, against the backdrop of Chilham Castle in Kent (top), and on the rolling pasturelands of Coombelands, near Pulborough, West Sussex (above).

I can think of many worse ways to spend a weekend.

Have you read my book? It is set mainly in Africa, and starts off with a hairy horse ride. http://www.janebwye.com/mybooks/breath-of-africa

 

 

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The Setting in Pica

Welcome back to Jeff Gardiner, who has taken up my challenge to talk about the setting for his latest book. Whatever your favourite genre, I guarantee you’ll enjoy his books, for he’s a master at mixing and matching. He has even written a book based in Africa – sharing the same shelf as mine!
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Pica is a young adult novel; the first book in the ‘Gaia’ trilogy. The setting in this first instalment is purposely restricted to Luke’s home, school and secret hiding place. Book two – Falco – opens the story up to an international setting, and the third book will be even wider in scope.
Luke lives in a typical British town, in a comfortable home. He hates the walks in the countryside that his parents drag him on, preferring to sit in his bedroom playing violent computer games. It takes the mysterious Guy – a new pupil at his school – to show him some of the wonders of the natural world around him. Luke is amazed and says at one point to his new friend: “I didn’t realise such amazing things happen all around us every day.”
picanewrelWhen a magpie begins to tap regularly on his bedroom window, he wonders if it’s somehow trying to communicate with him: “The magpie looked at me with eyes that gleamed with intelligent understanding. It knew me. I swear, it looked at me and knew I wouldn’t hurt it.”
As a teacher of twenty years, I’ve attempted to make the school scenes as realistic as possible. Action happens in classrooms, locker areas, playground, the Head’s office and the front school gates. Luke is cynical about school, where he feels insignificant and mostly ignored:
“School was its usual tedious treadmill of uninspiring lessons… I couldn’t help thinking there had to be a better way of enjoying my childhood than this.”
Near Luke’s home is a huge roundabout under a flyover, known locally as coney island because of all the rabbits living there. Luke feels drawn to explore within the trees and undergrowth:
“It really was a dense wilderness… Crouching down on the floor, I found I could get quite far by wriggling on my elbows and knees. I felt completely hidden and free to move, knowing I’d be completely invisible to the outside world. As I slowly progressed inwards, I considered what an amazing place this would be to have a den. No one would ever find it. It would be a place just for me when I needed to escape from the endlessly sad reality of life.”
Who doesn’t dream about finding such a place? And what Luke finds there is quite surprising…
Thanks, Jane, for hosting me on your blog. I hope it’s piqued your readers’ interest in ‘Pica’.
It certainly did mine, Jeff – I almost wish I were a Young Adult again!
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You can find Jeff’s very distinctive blog HERE: http://www.jeffgardiner.com/
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A Visit with Jane Bwye

I’d forgotten all about this interview….. you may pick up one or two things about me on Lela Markham’s blog. She and I go back several years, although we’ve never actually met. 

“I like to think that Africa will overcome its shortcomings, especially the evils of corruption, through the sheer pressure of enlightened citizens shaming their leaders.”

This week’s interview is with Jane Bwye – who has been on the blog before, but it’s been a while. She was working on a new book. Welcome back to the blog, Jane. Thank you for aski…

Source: A Visit with Jane Bwye

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A Visit with Jane Bwye

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This week’s interview is with Jane Bwye – who has been on the blog before, but it’s been a while. She was working on a new book. Welcome back to the blog, Jane.

Jane Bwye Author PicThank you for asking me round to your place, Lela. I’ve always wanted to visit Alaska. I guess it’s the idea of all that snow and the remoteness which appeals to me.

We are remote, that’s for sure. So what have you been up to since your last visit to the blog?

You want to know a little bit about me…. I wasn’t quite born in Kenya, but lived there for over half a century.  Now my husband and I are retired in the UK. Our family of six children and seven grandchildren are scattered over three continents, so I have developed a taste for travel. In order to fuel this urge, I mentored small business start-ups…

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Cuba and the Power of Writing

What interesting and challenging thoughts Margaret Johnson shares with us today. She has managed to incorporate my theme of settings for books, and at the same time to expose  the incredible power of the written word as a catharsis. I have certainly had a similar experience with amazing effect, when writing my book, while wallowing in nostalgia, and I suspect many authors have done the same. I look forward to reading her new book on how to recover from a breakup.

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When I travelled to Cuba in 2001, it was with revenge in mind. Don’t worry, I didn’t smuggle any weaponry into the country in my luggage. I simply chose Cuba as a destination because I’d been learning Spanish with my ex-partner, and I knew that Cuba would be a country he’d love to visit. But he wasn’t here. I was. And after I’d got beyond the unbelievable chaos of the arrivals lounge, it was to be a fortnight of amazing experiences and fun.

faded colour cubaIt was around six months since my relationship had suddenly ended, and I was still feeling very raw. Fortunately, I palled up quickly with Sharon, a fun-loving Londoner I’m still friendly with today. Together we wondered at the near-empty supermarket shelves, gazed in awe at the crumbling buildings and were chauffeured in classic cars. We visited cigar factories, learned about black magic and the Revolution, and spent a crazy hour making – and wearing – fake Castro beards out of catkin seeds stuck onto double-sided sellotape. We played and we laughed, and we fell in love with Cuba with the ever-present images of Che Guevara looking down on our shenanigans. It was absolutely the best gift I could have given my broken heart.

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murder makerWhen I returned to the UK, I was to use Cuba as a setting for scenes in two books. First came Murder Maker, a novella for the TEFL market aimed at people learning to speak English. It’s about woman who becomes a serial killer as a result of being cruelly dumped by her partner. Yes, I admit it, it was my therapy book.

Later, I wrote Taming Tom Jones, which was published by Crooked Cat Publishing last year. In Taming Tom Jones, I wanted to move two of my female characters out of their usual environment to throw a spotlight on the nature of their friendship. TTJ CoverHavana proved to be perfect for this. The rambling, decaying streets of Havana play on your imagination and feel full of mystery and the potential for adventure. Even danger. Just right for the dynamics of a friendship to be exposed. Jen, one of my main characters in Taming Tom Jones, is a bit adrift as a person; carried on the tide of other peoples’ wishes and desires. Her time in Cuba acts as one stepping stone to her taking back control of her life, Just as, I suppose, my time in Cuba did for me.

I went on to get over my heartbreak and to build a much more fulfilled and successful life for myself, but I have never forgotten how it felt to be that broken person who flew into Havana hoping for the forgetfulness of adventures. BREAKUPVIA COMPLETECuba and the power of writing brought me through it, and it is for this reason that I am shortly to publish my first non-fiction book, The Four Seasons of Breakupvia – A Workbook for Recovery from Relationship Break-up at the end of April. It is a book of activities and writing exercises designed to take people through the grieving and re-building process following a relationship break-up, and it draws not only on my own experience of recovery, but also on research I have done on the subject, and my experience as a creative writing tutor. I’m extremely proud of it, and really hope it does people good, and that through using it, I can help them to discover the incredible power of the written word in dealing with loss. I secretly hope to turn them all into writers too!

A close friend of mine recently spent four days in Havana and was just as enthralled with it as I was all those years ago. From what she says, it’s hardly changed at all, right down to the near-empty supermarket shelves. Which obviously I realise, can hardly be a good experience for its people. They are extremely resourceful people though; you’d have to be  able to keep all those amazing classic cars on the road year after year.

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So, I want to finish off by thanking them and their country for what they gave me for those two weeks I visited. I arrived feeling completely vulnerable and depleted, and left with a thousand experiences and memories to bring my characters and stories to vibrant life.

It was a magical time, and I shall never forget it.

Links:

Website: http://margaretkjohnson.com/margaret-k-johnsons-books/

Amazon Author Page: http://www.amazon.co.uk/Margaret-Johnson/e/B001HD34G6/ref=dp_byline_cont_book_1

Murder Maker: http://bookgoodies.com/a/B000R7PUW

Facebook: https://www.facebook.com/MargaretKJohnsonAuthor/

Twitter: https://twitter.com/Margaretkaj

 

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In Monet’s Shadow

Our sights and senses come alive in this evocative piece by Crooked Cat author, Angela Wren, as she relives times in France while contemplating the impressionists. Welcome, Angela!

AEWBlackWhiteLast month I provided a bit of a scribble for a fellow author’s blog, where I took a stroll through Monet’s house and garden. In Monet’s Footsteps.  I was in London shortly afterwards, at a gallery meandering through an exhibition dedicated to impressionists and paintings of gardens.

My feet may have been solidly on that wooden floor in London but my mind and my senses were soon back at Giverney.  As I gazed at Monet’s In the Garden , painted in 1875, I recalled walking the path that sweeps through the foreground of the picture.  I could almost smell the heady fragrance rising from the arc of pink and red flowers that seemed to protectively enclose the readers in the shade on the lawn.  And in my mind I remembered the cool sweet smell of the damp grass mingled with the musky scent from the trees.

HangingBasketsAs I moved from canvas to canvas there were many more surprises for me.  Not least the two large companion pieces by Édouard Vuillard, whose surname I borrowed and gave to one of the characters in my novel, Messandrierre.  When I looked at  Woman Reading on a Bench and Woman Seated in an Armchair I was taken from Giverney and further south to St Armand-Montrond.  A small town in the departement of Cher which was once part of the old dukedom of Berry and one of the oldest argricultural regions in France.  It was the sky that drew my attention.  The colours of the paintings are muted but the sky in each is heavy, grey and brooding.  There is a languidness to the poses and I was reminded of a sultry June afternoon, the temperature cloying, the air weighted and the distant growling of a long needed thunder storm.  A viewer, who was stood near me, told her companion that she thought the paintings dull.  I thought them evocative and I could almost feel the heat of that June day rising from each canvas.

Two rooms further on and I was transported back to Giverney, the lily pond and the refreshingly cool blue and green tones of the water.  The three canvases were being displayed together for the first time since they were sold, and, as I looked at  them, I couldn’t understand how anyone could have allowed them to be separated.  They were each the same size (approximately 200x450cm) and the waterlilies floated across all three in continuous and sinuous arcs of white, pink and yellow. 

I can’t find them on the Monet gallery website, so I can’t show them to you, unfortunately.  But I’ve got my exhibition catalogue, so when they are eventually returned to the three individual American museums that own them, I can still look at them, and be amazed at my fortune in being able to take advantage of a once in a lifetime opportunity.

About Angela Wren:  Having followed a career in Project and Business Change Management, I now work as an Actor and Director at a local theatre.  I’ve been writing, in a serious way, since 2010.  My work in project management has always involved drafting, so writing, in its various forms, has been a significant feature throughout my adult life. I particularly enjoy the challenge of plotting and planning different genres of work.  My short stories vary between contemporary romance, memoir, mystery and historical.  I also write comic flash-fiction and have drafted two one-act plays that have been recorded for local radio.  The majority of my stories are set in France where I like to spend as much time as possible each year.

 

Messandrierre – the first in a new crime series featuring investigator, Jacques Forêt.

CoverArtSacrificing his job in investigation following an incident in Paris, Jacques Forêt has only a matter of weeks to solve a series of mysterious disappearances as a Gendarme in the rural French village of Messandrierre.

 

But, as the number of missing persons rises, his difficult and hectoring boss puts obstacles in his way. Steely and determined, Jacques won’t give up and, when a new Investigating Magistrate is appointed, he becomes the go-to local policeman for all the work on the case.

 

Will he find the perpetrators before his lover, Beth, becomes a victim?

 

Amazon      Amazon UK     Amazon US

 

Website : www.angelawren.co.uk

Blog : www.jamesetmoi.blogspot.com

Facebook : Angela Wren

 

 

 

 

 

 

 

 

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Exposure to Higher Things

One does need a change every so often.

I had a pleasant break the last two days, away from home, catching up with brother- and sister-in-law in Surrey for two nights. The middle day was spent at a British Dressage Convention, watching a succession of horses perform a series of tests, rising in difficulty to Grand Prix level.

It is such a treat listening to top international FEI judge Stephen Clarke talk us through his comments and marks as the horses perform. And it is even more special when a seasoned top class trainer like Ferdi Eilberg, former British Dressage team coach, enters the arena. In the space of ten minutes per horse, he picks on two or three identified areas for improvement, and proceeds with exploration and encouragement, to make a visible difference to horse and rider. The delighted rider has something positive to work on in the future, and this humble judge among a packed audience of distinguished judges and trainers leaves with a treasure of thoughts to ponder.

We all need exposure to higher things to raise our sights and refresh our minds.

And now another challenge faces me on Monday, when I talk to a room full of Women’s Institute members who will decide whether or not they wish to add me to their list of recommended speakers for the year. Why am I doing this? Well, there’s no point in undergoing a Toastmasters public speaking course, is there, unless one does something with it. And the mere exercise of getting my name out there in a different context seems to have generated a little flurry of renewed interest in my book, Breath of Africa.

For the first time ever I’ve sold more paperbacks than e-books at the start of a month!

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